In the previous volume of the Umphrey's McGee Colorado Chronicles, I mentioned that Umphrey's made it possible for me to spend almost my entire day in Denver with them.  I didn't get to hang out backstage and shoot the breeze while drinking Colorado micro brews and smoking Denver nuggets, or take ...view article

It is nearly 2 a.m. in a gleaming warehouse perched at the Northeast edge of the San Francisco Bay.  On the dock, infernos rage from steel barrels, spewing molten fireflies by the dozens with the wind’s every frigid breath as the building’s vibrations and rumbles only hint at the possibilities ...view article

Autumn came late this year to San Diego, "America's Finest City." But the damp, chilly sea air belied the rising temperature inside the Gaslamp District's House of Blues, where Grace Potter and the Nocturnals (GPN) heated things up with their scorching stew of roots-inspired rock that included liberal ...view article

Over the past three years, Bear Creek has increasingly become the staple festival of the southeast. With festivals such as Langerado taking steps towards extinction, Bear Creek has flourished, and has put together lineups that seem to outdo years past, which seems hard to believe. The heavy hitting ...view article

Holidaze is not the kind of festival that anyone ends up at by accident or gets dragged to by a friend.  It’s an exclusive event for only the most die hard of fans, of which even fewer make the cut to get tickets ten months in advance to see their favorite bands throw down on the beach at the ...view article

Venue: Murat Theatre at Old National Centre in downtown Indianapolis on 10/11/11.

Ticket price: @$30.00 balcony, @ $50.00 floor after fees

Capacity:  2635 ...view article

San Diego was visited by an embarrassment of musical riches on this particular Tuesday night. In patchouli-soaked Ocean Beach, the city's own beachside Haight Ashbury, Leftover Salmon's Vince Herman led his Great American Taxi side project through an evening of bluegrass-tinged, southern-fried rock.

Further ...view article

My first exposure to the avant-garde jazz trio Medeski Martin and Wood (conveniently known as MMW) was at the State Palace Theater during a Jazz Fest weekend in 1999 New Orleans.  MMW was still relatively new, but had the distinction of opening for Phish in 1995, which stamped them with the Phish ...view article