Autumn came late this year to San Diego, "America's Finest City." But the damp, chilly sea air belied the rising temperature inside the Gaslamp District's House of Blues, where Grace Potter and the Nocturnals (GPN) heated things up with their scorching stew of roots-inspired rock that included liberal ...view article
The excitement can be seen on every one of the other 49 faces in the Crystal Ballroom's waiting area as the anticipation for the Umphrey's McGee's second StewArt event reaches it's peak. After a few moments, the door opens and pianist Joel Cummins enters the room first, followed closely by the rest ...view article
Red Rocks Amphitheater was built for Umphrey’s McGee. Well, more likely, in their 12th year as a band, Umphrey’s has meticulously groomed themselves to the point that the fruits of their labor are best understood within the walls of the naturally acoustic canvas provided at The Rocks. Nestled ...view article
If the trip and surrounding circumstances of seeing Umphrey's McGee Wednesday in Seattle were hectic and confused, the exact opposite could be said about the day of the show in the University of Oregon college town of Eugene. Very few obvious Umphreaks were seen around the sleepy town and even until ...view article
The Independent in San Francisco played host to a night of musical pageantry as former String Cheese Incident keyboard wizard Kyle Hollingsworth and Animal Liberation Orchestra's song writing prodigy Zach Gill played an uninterrupted evening of cheerful songs and joyous jams.17356
A good friend of mine tells me that he has always experienced any troubles getting to a show as a good omen that said show is going to be a barn burner. This could all be in his mind, but the adage has rung true for me over this past week while following around Umphrey’s McGee. I’m a bit ...view article
Dark Star Orchestra (DSO) returned to Southern California for their biannual two night stand in suburban San Diego’s Solana Beach. This time it was part of their “City Near You” tour, which puts a slight twist on DSO’s distinctive Grateful Dead simulation act. Their simple but rather ...view article
My first exposure to the avant-garde jazz trio Medeski Martin and Wood (conveniently known as MMW) was at the State Palace Theater during a Jazz Fest weekend in 1999 New Orleans. MMW was still relatively new, but had the distinction of opening for Phish in 1995, which stamped them with the Phish ...view article