After three days of being showered with rain, covered by clouds and fog, Oregon bid us a sweet, sunny farewell as we crossed back into the promised land of California to take part in day four in a row of the Umphrey's McGee 2009 West Coast Tour. The entire journey was a dramatic, mountainous blanket ...view article

The Aragon Ballroom in Chicago was a storm of rock and roll energy on the second to last day of 2009 as hometown heroes Umphrey's McGee laid musical carnage on a few thousand lucky ears.  This New Year's run marks the 12th anniversary of the momentous three days of fury that is to Umphrey's fans ...view article

Red Rocks Amphitheater was built for Umphrey’s McGee.  Well, more likely, in their 12th year as a band, Umphrey’s has meticulously groomed themselves to the point that the fruits of their labor are best understood within the walls of  the naturally acoustic canvas provided at The Rocks.  Nestled ...view article

We rose some time after dawn in a small bed and breakfast lodge in Sacramento and I was still suffering a bit of barrel fever from all the whiskey I'd drowned myself in the night before.  We had traveled East from San Francisco through the night to get a jump on the day.  We'd be riding plum through ...view article

Autumn came late this year to San Diego, "America's Finest City." But the damp, chilly sea air belied the rising temperature inside the Gaslamp District's House of Blues, where Grace Potter and the Nocturnals (GPN) heated things up with their scorching stew of roots-inspired rock that included liberal ...view article

Coming off of one of their most prolific tours in recent memory, selling out nearly every show they played (including The Fillmore in Denver, Colorado), Umphrey’s McGee descended on the ever-familiar frozen tundra of Minneapolis for two consecutive nights at the First Avenue.

The raucous ...view article

My first exposure to the avant-garde jazz trio Medeski Martin and Wood (conveniently known as MMW) was at the State Palace Theater during a Jazz Fest weekend in 1999 New Orleans.  MMW was still relatively new, but had the distinction of opening for Phish in 1995, which stamped them with the Phish ...view article

There is little comparison to the excitement of the thumping house beats, the funky rumble of a low bass line shaking the building and the infectious sonic articulation of synthesizers that can be found at a rave.  Imagine that being topped off with soaring guitar licks and the interplay of four ...view article