It is comforting to hear those magical words "Welcome to the Fillmore" as the excitement peaks for the next episode of the San Francisco musical saga. On this Thursday night Moe. returned to the hallowed hall of rock and roll for the who-knows-how-many time to give fans of the band, fans of rock ...view article
The excitement can be seen on every one of the other 49 faces in the Crystal Ballroom's waiting area as the anticipation for the Umphrey's McGee's second StewArt event reaches it's peak. After a few moments, the door opens and pianist Joel Cummins enters the room first, followed closely by the rest ...view article
The Northbound drive across the Golden Gate Bridge, as the sun set to the West and the nearly full moon beamed like a spotlight to the East, set the mood for a relaxed and cheerful celebration of the life and music of Bay Area musician: Jim McPherson.17356
McPherson, a blues inspired musician ...view article
San Diego was visited by an embarrassment of musical riches on this particular Tuesday night. In patchouli-soaked Ocean Beach, the city's own beachside Haight Ashbury, Leftover Salmon's Vince Herman led his Great American Taxi side project through an evening of bluegrass-tinged, southern-fried rock.
In the previous volume of the Umphrey's McGee Colorado Chronicles, I mentioned that Umphrey's made it possible for me to spend almost my entire day in Denver with them. I didn't get to hang out backstage and shoot the breeze while drinking Colorado micro brews and smoking Denver nuggets, or take ...view article
With the epidemic-like spread of the Guitar Hero and Rock Band video games, Rock and Roll music has been packaged neatly into five little buttons as mind numbing, modified studio versions of classic hits are practically put on repeat in households throughout the world. Perhaps to counterbalance this ...view article
It is nearly 2 a.m. in a gleaming warehouse perched at the Northeast edge of the San Francisco Bay. On the dock, infernos rage from steel barrels, spewing molten fireflies by the dozens with the wind’s every frigid breath as the building’s vibrations and rumbles only hint at the possibilities ...view article
My first exposure to the avant-garde jazz trio Medeski Martin and Wood (conveniently known as MMW) was at the State Palace Theater during a Jazz Fest weekend in 1999 New Orleans. MMW was still relatively new, but had the distinction of opening for Phish in 1995, which stamped them with the Phish ...view article